亚色影库

Spatial Audio Fundamentals

About the course

This two-day short course will equip you with the fundamental skills to integrate spatial audio into your creative practice. You will be introduced to the creative potential of spatial sound and equipped with the skill to edit, mix and compose in spatial audio using accessible tools.

You will learn techniques and approaches that extend beyond Dolby Atmos, such as Ambisonics, exploring the rich and varied histories of spatial audio practice to drive your creative potential.

For more information about our facilities visit: 

What will I learn?

Day one

Introduction to Spatial Audio
  • Spatial Audio – Beyond Film
  • Histories of Spatial Audio – introducing the multifaceted history of spatial audio.
  • Examples of spatial audio composition practices from before recording technology, up to the present day, across different formats.
Listening Spatially
  • Explore the fundamentals of sound and listening to understand how we hear sound spatially and how we can use this to create new creative experiences.
Spatial Audio Workflows in Ambisonics
  • Introduction to Spatial Audio in Reaper DAW
  • Ambisonics workflows – Track setup, encoding and decoding
  • Editing and mixing Spatial Sound
  • Binaural mixing for headphones vs speaker decoding
  • Techniques and approaches to ‘upmixing’ standard mono and stereo sounds into spatial audio formats
  • Practical: create your own spatial audio mixes

Day two

Recording in Spatial Audio
  • Introduction to techniques and approaches for recording source material in spatial formats
  • Working with different microphones
Creating Hybrid Mixes
  • Integrating ambisonic recordings into your mix
  • Mixing different formats together
Performance Feedback Session
  • Participants will have the opportunity to experience their work on our 32.4 Spatial Audio Lab loudspeaker array and receive feedback from their peers

Course info

This course takes place over two days in-person, from 10am - 5pm each day, totalling 12 hours.

Available dates

  • 8-9 September 2025
  • 8-9 January 2026
  • 20-21 April 2026

Cost

拢350 for one two-day course

FAQ

What is spatial audio?

Spatial audio composition with studio technology enables artists to create enveloping experiences in which sounds surround and travel around the listener.

In our everyday life we hear sounds from above, behind, around and below us, they may move past us from front to back, or pass over us from left to right. Spatial audio allows creatives to access this dimension of sound which is lost in traditional stereo (two channel) formats, and to re-create and play with the spatial position of sounds as a feature in their creative work.

The popularity of spatial audio tools has exploded in recent years, with the adoption of Spatial mixes by Apple Music and Dolby Atmos Music, amongst others. But few practitioners are able to the full potential of spatial sound because they have not unlocked the full potential by understanding the heritage of spatial sound practice.

Through our research at the SOUND/IMAGE Research centre and our established Loudspeaker Orchestra concert series, we frequently welcome practitioners and artists at the forefront of spatial sound composition, giving us access to world leading creative approaches in spatial sound.

Who will be my tutors?

You will be taught by composers and musicians at the SOUND/IMAGE Research Centre who are experts in spatial audio composition.

What will I need?

  • Enthusiasm and passion to explore the creative potential of spatial audio.
  • Pair of Headphones
  • Hard drive for transferring files
  • - Download link - 

If you have some of your own recorded sounds that you would like to work with then please bring them. Otherwise, we will provide you with a sound library.

Contact us

If you have any question about the course please contact us by email: ICE@gre.ac.uk

For more information on the work and activities of the Centre for Sound and Image visit the following

Centre for Sound and Image